philip glass pendulum

His move away from modernist composers such as Boulez and Stockhausen was nuanced, rather than outright rejection: "That generation wanted disciples and as we didn't join up it was taken to mean that we hated the music, which wasn't true. He learned his family was also related to Al Jolson.[15]:16. 1 (1987), Symphony No. [45] Projects from that period include music for dance (Glass Pieces choreographed for New York City Ballet by Jerome Robbins in 1983 to a score drawn from existing Glass compositions created for other media including an excerpt from Akhnaten; and In the Upper Room, Twyla Tharp, 1986), music for theatre productions Endgame (1984) and Company (1983). Glass was born in Baltimore, Maryland,[9][10] the son of Ida (née Gouline) and Benjamin Charles Glass. [102] In the 1990s, Glass composed the aforementioned symphonies Low (1992) and Heroes (1996), thematically derived from the Bowie-Eno collaboration albums Low and "Heroes" composed in late 1970s Berlin. So when I decided to write a violin concerto, I wanted to write one that my father would have liked. [46] Eventually Company was published as Glass's String Quartet No. Critic Allan Kozinn described the symphony's chromaticism as more extreme, more fluid, and its themes and textures as continually changing, morphing without repetition, and praised the symphony's "unpredictable orchestration", pointing out the "beautiful flute and harp variation in the melancholy second movement". Those early works of Stockhausen are still beautiful. Pendulum (2010, a one-movement piece for violin and piano), a second Suite of cello pieces for Wendy Sutter (2011), and Partita for solo violin for violinist Tim Fain (2010, first performance of the complete work 2011), are recent entries in the series. Ira and Glass recorded a version of the composition Glass wrote to accompany his friend Allen Ginsberg's poem "Wichita Vortex Sutra". After these operas, Glass began working on a symphonic cycle, commissioned by the conductor Dennis Russell Davies, who told Glass at the time: "I'm not going to let you ... be one of those opera composers who never write a symphony". Glass also returned to chamber music; he composed two String Quartets (No. The elder Glass promoted both new recordings and a wide selection of composers to his customers, sometimes convincing them to try something new by allowing them to return records they didn't like. [25] In 1993 Glass formed another record label, Point Music; in 1997, Point Music released Music for Airports, a live, instrumental version of Eno's composition of the same name, by Bang on a Can All-Stars. The operatic Symphony No. Glass's and Wilson's opera includes musical settings of Latin texts by the 1st-century-Roman playwright Seneca and allusions to the music of Giuseppe Verdi and from the American Civil War, featuring the 19th century figures Giuseppe Garibaldi and Robert E. Lee as characters. After differences of opinion with Steve Reich in 1971,[19] Glass formed the Philip Glass Ensemble (while Reich formed Steve Reich and Musicians), an amplified ensemble including keyboards, wind instruments (saxophones, flutes), and soprano voices. Among recent collaborators are Glass's fellow New Yorker Woody Allen, Stephen Colbert,[127] and poet and songwriter Leonard Cohen.

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